Doctor Who: Terror of the Autons Review
Back when he was the undisputed overlord of the entire Doctor Who universe, Russell T. Davies was often heard to say that he liked to reboot the series at the start of every season, treating each season opener like it was ‘Rose’ all over again (which explains the high turnover of companions). Barry Letts did a similar thing with ‘Terror of the Autons’, effectively rebooting the entire series to better suit his idea of how it should be.
Doctor Who: Inferno Review
Doctor Who: The Ambassadors of Death Review
Xena: Warrior Princess - Sins of the Past
Doctor Who: The Silurians Review
Doctor Who: Spearheads From Space Review
After six years of monochrome adventuring through time and space ‘Spearheads from Space’ sees Doctor Who undergo a complete transformation. Now broadcast in glorious colour (assuming, that is, you had a colour television in 1970) the entire format of the show was radically altered in order to keep production costs down as well as make the series grittier and more grown up. Taking inspiration from the likes of Nigel Kneale’s Quatermass serials outgoing producer Derrick Sherwin wanted to get away from ‘wobbly jellies in outer space’ by bringing the show crashing back down to earth.
Doctor Who: The War Games Review
Epic in both length and content ‘The War Games’ is, in this humble fan’s opinion, the best Patrick Troughton story that still exists in its entirety. Bringing to an end one era of the show while neatly setting the stage for the next, this would be the final story in black and white, the last story of the 1960s and final regular appearance of Second Doctor and his ever faithful companions, Jamie and Zoe.
Doctor Who: The Seeds of Death Review
The Patrick Troughton years were the beginning of the monster boom on Doctor Who. The historical episodes, a regular fixture of the previous era, had been phase out and replaced by numerous ‘base under siege’ stories as the Doctor frequently battled Daleks, Cybermen, Yeti, Macra, Quarks, Krotons, Cybermen again and the Ice Warriors.
Doctor Who: The Krotons Review
“The Doctor’s almost as clever as I am”Doctor Who: The Invasion Review
Doctor Who: The Mind Robber Review
Doctor Who: The Dominators Review
Hercules: The Legendary Journeys Season Two Review
It’s hard to argue that Hercules: The Legendary Journeys was ever anything other than escapist fluff. Nevertheless, it was extremely well-made escapist fluff, crafted by a cast and crew who obviously loved and cared about what they were doing. After a successful freshman year the series went into its second season with greater confidence that is evident in these 22 episodes. The slightly darker tones of the first season had been ironed out and transferred over to spin-off, Xena: Warrior Princess, leaving Hercules free to fully embrace its place as a light-hearted hour of fun for all the family. The series had found its niche and never once looked back. At least, not until the dark days of season five but that’s a story for a latter review.Without a doubt this was the year that the show’s wonderful supporting cast began to finally take shape. We got to meet Bruce Campbell’s dashing Autolycus, the king of thieves. Kevin Smith (no, not the chubby filmmaker) made his first appearance in ‘What’s in a Name’ only not as Ares but rather as Hercules other resentful half-brother, Iphicles. And ‘The Apple’ sees the arrival of Hercules shallow but adorable sister, Aphrodite, played with full Valley Girl ditzy cuteness by Alexandra Tydings. Despite the influx of new characters the strength of the series still remained the great partnership of Hercules and Iolaus and the wonderful performances of Kevin Sorbo and Michael Hurst. Wisely the producers give Hurst more to do this year, recognising his versatility as an actor by giving him the odd episode to carry solo.
Like most TV shows of its time the series was predominately episodic rather than arc driven. There isn't even so much as a two parter this season. The only recurring element linking many episodes together remains Hercules tiresome ongoing struggle with his wicked step-mother Hera. This plotline continues to go no where and just feels like its dragging on and on with no hope of ever reaching any sort of conclusion.
Standout episodes include season opener ‘The King of Thieves’ which, rather obviously, sees the introduction of Autolycus. Hercules journeys into the underworld in ‘The Other Side’ the series own take on the legend of Persephone and Hades. And ‘Once A Hero’ sees Herc and Iolaus team up with King Jason and their fellow Argonauts to go after the Golden Fleece again and battle some nifty skeleton warriors that would make Ray Harryhausen proud. Rather disappointingly after such a strong run of episodes the season ends in low key fashion with a rather limp clip show (seriously, a clip show!). ‘The Wedding of Alcmene’, a reunion special that brought together almost every supporting character from the show’s first two seasons, would’ve made for a much more suitable finale.
It had a giant sea monster and everything.
Rating: * * * *
Hercules: The Legendary Journeys Season One Review
“Wherever there was evil, wherever an innocent would suffer, there would be…Hercules!”This is the story of a time long ago. A time of myth and legend. When ancient TV producers were petty and cruel and they plagued mankind with increasingly drearily programming. Only one show dared to challenge their power… Hercules!
Back in 1994, long before the Spider-Man films catapulted him into the Hollywood A-List, director Sam Raimi, along with his producing partner Robert Tapert, produced a collection of action-adventure TV movies for Universal Media Studio’s syndicated Action Pack series. Starring Kevin Sorbo and shot in New Zealand these movies portrayed a more light-hearted and often tongue-in-cheek take on the adventures of that classic hero of Greek mythology, Hercules.
The five Hercules TV movies soon proved hugely popular with audiences (unlike William Shatner’s Tekwar) and eventually a full series was ordered. Hercules: The Legendary Journeys debuted in 1995 and proved a massive success, going so far as to dislodge Baywatch as the No. 1 show in the world (fact). Seems even the Hoff was no match for the son of Zeus. The success of Hercules led to a mini revival of fantasy programming in the late 90s with (mostly crap) shows like Sinbad, Conan, Beastmaster and The Adventures of Robin Hood popping up all over the place. Oh, and it also managed to spawn a spin-off series. You might’ve heard of it.
In an age dominated by cop shows, medical dramas, legal dramas and even more cop shows Hercules: The Legendary Journeys was a welcome breath a fresh air. It was light-hearted fun for all the family and unapologetically proud of it. True, a lot of the time it could be exceptional cheesy but luckily the series also possessed a brilliantly knowing sense of humour that helped you to overcome the b-grade special effects and the occasional blunt moral lesson for the kiddies. In the wrong hands the role of Hercules could’ve been nothing more than a bland hulk of muscle, a vacant tough guy with sawdust between his ears. Luckily Sorbo turned out to be warm and likeable leading man, both heroic and noble with a laidback and friendly charm. He was amiably supported by Michael Hurst as Iolaus, Herc’s best friend and sidekick. Their affectionate bromance was defiantly the heart and soul of the entire series.
Alas, as fun as the series was the original TV movies are a mixed bag when it came to quality. ‘Amazon Women’ is pretty dire, notable only for an early appearance by one Lucy Lawless and the first death of Iolaus (he could give Daniel Jackson a run for his money). ‘The Lost Kingdom’ is much better with a feisty performance by a young Renee O’Conner and a great sea monster yet still feels a little ropey around the edges. ‘The Circle of Fire’ and ‘In the Underworld’ remain the best of the lot while ‘Maze of the Minotaur’ is just a great big clip show with some serious plot holes. Throughout Anthony Quinn is permanently on autopilot as a randy old Zeus while, as Herc's wife, Tawny Kitaen proves that her acting talents clearly don’t extend beyond her cleavage.
The first season of the series proper are as equally hit and miss as the movies. Without a doubt the standout episodes were the Xena trilogy (‘Warrior Princess’, ‘The Gauntlet’ and ‘Unchained Heart’) that introduced everyone’s favourite butt kicker from Amphipolis. Apart from Xena we saw Hercules battle all sorts of enemies over these 13 episodes, including monsters, war lords, demons, slave traders, centaurs, giant beasts, gladiators, the odd misunderstood Cyclops and, as the voice-over man reminds us every week, the minions of his wicked step-mother Hera, the all powerful queen of the gods. However, unlike later seasons the Olympian Gods are kept strictly in the clouds, operating mainly through their lackeys and minions.
At this early stage in the show's development it had yet to fully establish its wonderful array of supporting characters. Favourites like Autolycus (Bruce Campbell), Jason (Jeffrey Thomas), Aphrodite (Alexandra Tydings) and Nebula (Gina Torres) wouldn’t be introduced until later seasons. Iolaus and Salmoneus (Robert Trebor) are both present and correct but the blind seer Tiresias (Norman Forsey) didn’t work out and was ditched after a few episodes.
The first season of Hercules is hit and miss to be sure but even at this early stage the series remains immensely enjoyable with some strong hints laid in of the series true potential. At the end of the season, after Xena rides off into the sunset (and spin-off glory), Hercules and Iolaus are left alone to continue their adventures together. Proving once and for all, that even in ancient Greece, bros always came before hoes.
Rating: * * *
Caprica Pilot Review
“You can’t copy a soul!”Staring: Eric Stoltz, Esai Morales, Paula Malcolmson, Polly Walker, Alessandra Toressani,
Review: Ron Moore isn’t one to flinch. Right from the first the beginning of Caprica we’re plugged straight into the techno decadence of the planet Caprica, 58 years before the fall. The place is Rome on acid, where anything, and everything, goes. In their virtual temples of sin the Capricans are free to indulge every impulse, every unspeakable desire without remorse or fear of consequence. Makes you wonder what the Enterprise crew really got up to in the holodeck on their off hours.
Caprica certainly has promise. Moore and Eick have made a conscious decision not to repeat themselves by simply giving us Galactica: The Previous Generation. Too many spin-offs these days are more concerned with milking the original rather then establish their own identity. The only thing that distinguishes the various CSIs from each other is geographical location. Instead of an epic space saga chronicling the struggle between the last remnants of humanity and their Cylon pursuers, Caprica is a more grounded and intimate family drama centred around two very different families that will both play crucial roles in the future for their species, the Graystones and the Adamas.
This certainly has the potential to be an intriguing series but, so far, it doesn’t seem to be a entirely gripping one. It’s hard to completely judge how the show might turn out just from the pilot, because most pilots are weak anyway but things move at a slower, more meditative pace then Galactica and humour is noticeable only by its absence. If Caprica is to survive it will need a Gaius Baltar. Stat!
Oh, and anyone expecting colossal space battles, tense dog fights or general Starbucking will be deeply disappointed.
Being a prequel it is said that Caprica will lack any dramatic tension as we already know how this story and civilization will invariably end. Which is a rather minor and silly criticism as it can be applied to any historical drama were the outcome is common knowledge. Caesar will always be assassinated, the Titanic is going to hit that iceberg and the allies will win World War II every time. Just because we know what is going to happen does not be we cannot enjoy seeing how it happened and, crucially, why.
On the acting front no one puts in a bad performance with Paula Malcolmson, in particular, doing so much with so little as Daniel’s wife, Amanda. Defiantly looking forward to seeing more of her when the full series airs. Anything with a Deadwood alumni is automatically 27% better. But the series rest on the characters of Daniel and Joseph both brilliantly brought to life by Stoltz and Morales.
Like its parent series it takes a horrifying event, the suicide bombing of a commuter train, to bring these two very different characters together. Under normal circumstance its unlikely these two would ever have met, Daniel is the Bill Gates of his world and part of the Caprican elite, Joseph is an immigrant from Tauron and a lawyer for the local mafia. Both men have lost loved ones in the bombing and are numb inside, they spend their first meeting just hanging out, drinking coffee, smoking cigarettes, neither saying anything. They don’t needs to, each man perfectly understanding the other’s pain. It’s a small, elegant moment something they both needed.
While the acting is generally strong and the leads are exceptional some of the other characters may need some fleshing out. Zoe is your clichéd, annoying spoilt rich kid whose angry at her parents, the Tauron mafia all seemed to have majored in Mob Acting 101 and Polly Walker’s character is so underdeveloped she’s almost non-existent.
While there are many similarities and difference between Caprica and Galactica one theme remains constant between both shows, the question of what it really means to be human. Is it simply a matter of flesh and blood? Are we nothing but information on biological motherboard? Can you indeed copy a soul? Caprica ask these questions but like its predecessor doesn’t spoon feed it’s audience any easy answers. For Daniel the answer is simple, it doesn’t matter. As far as he is concerned the virtual copy of Zoe that he discovers is his daughter. The only difference is hardware, Zoe was flesh and blood while Zoe 2.0 is a glorified flash drive. Daniel’s obsession does eventually verge into Frankenstein territory but like Joseph he is simply a father desperate to connect with his child. Only his grief has blinded him to the point that he never stops to think that just because he can bring Zoe back doesn’t mean that he defiantly should.
Remember mate, all this has happened before…
Other Thoughts:
-Clearly all the explicit scenes of a sexual nature will be cut for broadcast. Unless SyFy wants to be a bit more HBO.
-Never thought I’d ever hear anyone refer to the Old Man as ‘Willy’ ;)
-The prototype Cylon, the Cybernetic Life-Form Nod, initially had a yellow eye instead of red. And the aim of an Imperial Stormtrooper.
-Joseph: “I understand, another five seconds I’m jumping off a bridge myself”
-The Tauron mafia are a lot like Russian mobsters, especially with all the tattoos.
-Joseph: “You know us Taurons, we’re nothing if not a stoic people”
-Daniel owns the Caprica Buccaneers the same Pyramid team Sam Anders would eventually play for.
-Taurons speak a different language from Capricans. This was never seen in BSG where everyone spoke the same language.
-Lacy: “Back that way are the group sex and drug dens keep going past that and you‘ll find the really gross stuff”
-The Caprica defence minister was played by X-Files alum William B. Davis (Cancer Man) who, in a nice Blade Runner nod, had some nifty Dr Tyrell style specs.
-Lacy: “Yeah right, the Porn sites were the first to licence that technology everyone knows that”
Daniel: “That’s different, that’s for adults”
Lacy: “Zoe always said you could rationalise anything”
-Joseph is an atheist and doesn’t believe in the gods. Like father like son.
-Prototype Cylon: “All targets naturalised. Program completed. By your command”
-Like their decendents everyone on Caprica smokes a lot. Ron Moore really is a bad role model for kids :)
I’m not hooked, not yet anyway. I am fascinated by most of the characters, especially Joseph and Daniel, and many of the issue raised it’s just that Caprica comes off as a little too sombre and needs to lighten up a tiny bit. But I’ll defiantly be back next year to watch the full series. Shame we have to wait a whole year to see to it. Frak!
Ratting: * * * *










