"If there's any justice at all, the black hole will be your grave!"
The Black Hole, Disney’s blatant attempt to cash in on the sci-fi craze of the late ‘70s, is a film that wants to be many things. Actually, scratch that. It wants to be three distinct things. It wants to be Star Wars. It wants to be 2001: A Space Odyssey. And it wants to be a Disney movie for all the family. Sadly it fails to be any of those. It’s not rousing enough to be Star Wars, not nearly as cerebral as 2001 and often far too dark for magical kingdom of Disney.
Doctor Who: Terror of the Autons Review
“The human body has a basic weakness. One which I shall exploit to assist in the destruction of humanity”
Back when he was the undisputed overlord of the entire Doctor Who universe, Russell T. Davies was often heard to say that he liked to reboot the series at the start of every season, treating each season opener like it was ‘Rose’ all over again (which explains the high turnover of companions). Barry Letts did a similar thing with ‘Terror of the Autons’, effectively rebooting the entire series to better suit his idea of how it should be.
Back when he was the undisputed overlord of the entire Doctor Who universe, Russell T. Davies was often heard to say that he liked to reboot the series at the start of every season, treating each season opener like it was ‘Rose’ all over again (which explains the high turnover of companions). Barry Letts did a similar thing with ‘Terror of the Autons’, effectively rebooting the entire series to better suit his idea of how it should be.
Doctor Who: Inferno Review
“Listen to that! It's the sound of the planet screaming out its rage!”
For a science fiction series with such a long and diverse history as Doctor Who it is somewhat surprising that ‘Inferno’ is the only time in its original 26-year run that everyone’s favourite Time Lord ever ventured into a “parallel space-time continuum”. Can’t understand why they never did it again because ‘Inferno’ is very good indeed.
Doctor Who: The Ambassadors of Death Review
“Something took off from Mars”
I want to love ‘The Ambassadors of Death’ but find it so damn difficult. It's certainly not for lack of spectacle. For once it actually looks like the production team were allowed to spend some serious cash on the show, with action sequences that almost have an epic quality to them. In the first two episodes alone we have massive shootout in an abandoned factory followed by a truck hijack involving a helicopter. Doctor Who has never felt this big budget before. Even the model shots of the space modules, although pretty basic by today’s standards, aren’t as embarrassingly bad as a lot of the special effects on this show tend to be.
Xena: Warrior Princess - Sins of the Past
“You must know by now you can never escape your past. Xena, celebrate you dark side. Don't run away from it”
Like many I first started watching Xena: Warrior Princess because I loved the cheesy fun of Hercules: The Legendary Journeys. And like so many more I ended up being an even bigger fan of the warrior princess than the son of Zeus. Although both shows possessed the same tongue-in-cheek sense of humour Xena could often be a much darker, more complex and character driven series. Xena was the Batman (and Wonder Woman) to Herc’s ancient world Superman. It was also cheesier than the entire dairy section at Sainsbury’s as the writers were never afraid to indulge even their loopiest ideas.
Doctor Who: The Silurians Review
“Unless you Silurians tell us what you want the humans will destroy you!”
With ‘Doctor Who and The Silurians’ (to give it its full and accidental title) Malcolm Hulke takes the alien invasion story and flips it on its head. What could’ve so easily been nothing more than a simple tale of human battling lizard men becomes a morally complex thriller thanks to Hulke’s intelligent storytelling and sharp characterization. It's a masterpiece and one of my personal favourites from Worzel’s tenure.
Doctor Who: Spearheads From Space Review
“We deal with the odd, the unexplained, anything on Earth... or beyond”
After six years of monochrome adventuring through time and space ‘Spearheads from Space’ sees Doctor Who undergo a complete transformation. Now broadcast in glorious colour (assuming, that is, you had a colour television in 1970) the entire format of the show was radically altered in order to keep production costs down as well as make the series grittier and more grown up. Taking inspiration from the likes of Nigel Kneale’s Quatermass serials outgoing producer Derrick Sherwin wanted to get away from ‘wobbly jellies in outer space’ by bringing the show crashing back down to earth.
After six years of monochrome adventuring through time and space ‘Spearheads from Space’ sees Doctor Who undergo a complete transformation. Now broadcast in glorious colour (assuming, that is, you had a colour television in 1970) the entire format of the show was radically altered in order to keep production costs down as well as make the series grittier and more grown up. Taking inspiration from the likes of Nigel Kneale’s Quatermass serials outgoing producer Derrick Sherwin wanted to get away from ‘wobbly jellies in outer space’ by bringing the show crashing back down to earth.
Doctor Who: The War Games Review
"NO!!!! Stop! You're making me giddy! No, you can't do this to me! No! No! No! No! No! No! No! No! No! No! No! No!"
Epic in both length and content ‘The War Games’ is, in this humble fan’s opinion, the best Patrick Troughton story that still exists in its entirety. Bringing to an end one era of the show while neatly setting the stage for the next, this would be the final story in black and white, the last story of the 1960s and final regular appearance of Second Doctor and his ever faithful companions, Jamie and Zoe.
Doctor Who: The Seeds of Death Review
“Your leader will be angry if you kill me! I’m a genius”
The Patrick Troughton years were the beginning of the monster boom on Doctor Who. The historical episodes, a regular fixture of the previous era, had been phase out and replaced by numerous ‘base under siege’ stories as the Doctor frequently battled Daleks, Cybermen, Yeti, Macra, Quarks, Krotons, Cybermen again and the Ice Warriors.
The Patrick Troughton years were the beginning of the monster boom on Doctor Who. The historical episodes, a regular fixture of the previous era, had been phase out and replaced by numerous ‘base under siege’ stories as the Doctor frequently battled Daleks, Cybermen, Yeti, Macra, Quarks, Krotons, Cybermen again and the Ice Warriors.
Doctor Who: The Krotons Review
“The Doctor’s almost as clever as I am”Robert Holmes isn’t just my favourite Doctor Who writer, he is without a shadow of a doubt the finest writer this show has ever had (past, present or future) and I will gladly fight anyone who says differently.
What was that? Russell T. Davies? Right, you, outside now!
Doctor Who: The Invasion Review
"My body may be cybernetic but my mind stays human!"
Playing out like the world’s longest and cheapest Bond movie, ‘The Invasion’ is probably the most iconic and well-loved Cybermen story. As far as I’m concerned it’s unquestionably their finest hour, made all the better by the fact the cybernetic dullards from Mondas are hardly in it.
Doctor Who: The Mind Robber Review
“Well, we’re nowhere. It’s as simple as that”
When I first saw ‘The Mind Robber’ at the wee age of very small I thought it was absolutely brilliant. A fantastical and atmospheric tale filled with some unforgettable imagery. But I eventually grew up and with age comes cynicism. Now I can’t help seeing ‘The Mind Robber’ for what it really is; a load of surrealist nonsense that could’ve only been produced in the 1960s
Doctor Who: The Dominators Review
“Shall we destroy? Shall we destroy?”
One of the great tragedies of Doctor Who is the loss of numerous episodes from the show’s monochrome days due to the BBC ’s insane junking policy during the 1970s (cheap gits wouldn’t fork out for new tapes so they just recorded over all the old ones). Patrick Troughton certainly came off the worst. To date only six of his stories still exist in their entirety. Eleven are incomplete and four are completely lost, unlikely to ever be recovered. Season six (Troughton’s last as the Doctor) is the only Second Doctor season that remains more or less intact with only two incomplete stories. ‘The Dominators’ was the opening story of that season and by Rassillon’s beard is it dull.
Babylon 5: Season 5 DVD Review
The Wheel of FireThe last minute renewal for Babylon 5 was something of a mixed blessing. On one had it meant that the show would continue and J. Michael Straczynski would now be able to complete his much talked about five-year-plan. But since Straczynski had wrapped up almost every single significant plot thread the previous season he was now stumped about what to do next. Sure, he had a lot of great stuff with Londo planned but that didn’t get going until towards the end of the season. So what the hell was he going to do until then?
Babylon 5: Season 4 DVD Review
No Surrender, No RetreatSo much for best laid plans, eh. When he first conceived of Babylon 5 way back when J. Michael Straczynski had a definitive five year plan for the series. By the fourth season that plan was in serious danger of falling apart. The Prime Time Entertainment Network, the series’ home from day one, was not long for this world and as such the future of the series was uncertain. Fearing that his show would be cancelled before he could conclude the story Straczynski went in to emergency damage control and started wrapping up the all major storylines far earlier than he’d initially planned. As a result season four is the most densely packed season of the show’s entire run as barely a single episode is wasted in Straczynski’s mad rush to bring his story to a what seemed at the time to be a premature end.
Babylon 5: Season 3 DVD Review
Point of No ReturnIn my humble little opinion season three of Babylon 5 is the one of the finest seasons of television in the entire history of the medium. This was the absolute peek of J. Michael Straczynski’s small screen space opera. Admittedly, it’s not 100% perfect. It was at this point that Straczynski started writing ever single episode himself (an impressive achievement to be sure) so inevitable dreck like ‘Grey 17 is Missing’ gets sandwiched in between all the great stuff. And we were pretty much spoilt for choice with great stuff this season. After two years worth of build up this was the season where things were finally starting to pay off.
Babylon 5: Season 2 DVD Review
The Coming of ShadowsIt was a year of change in season two of Babylon 5.
After the first season had wrapped up production it was mutually agree by all that Michael O’Hare wasn’t working out as the show’s leading man. O’Hare amicably agreed with creator J. Michael Straczynski to depart from the show (least that’s what they keep telling everyone) and was soon replaced by Bruce Boxleitner as Captain John J. Sheridan. The former Tron fitted in quite well on B5 and after about a few episodes you’d easily be forgiven for thinking he’d been there the whole time.
Babylon 5: Season 1 DVD Review
Signs and PortentsJ. Michael Straczynski’s Babylon 5 was the last, best hope for a rival sci-fi television franchise to challenge the dominance of Star Trek. It failed. And let’s be glad it did. Last thing we needed was another bloated franchise knocking out a never ending cycle of naff spin-offs. Instead let’s be thankful for what remains to this day as one of the finest sci-fi series ever made. But it did take some time before it got there.
Hamlet DVD Review
Starring: David Tennant, Patrick Stewart, Penny Downie, Oliver Ford Davies, Peter De Jersey, Mariah Gale, Edward Bennett Review: Of all the various tragedies, comedies and histories he produced in his lifetime Hamlet remains my absolute favourite William Shakespeare play. It contains his best narrative, his most fascinating characters and without doubt his finest dialogue, much of which has now become imbedded in the national lexicon. Like many I was unable to acquire tickets to see this RSC production starring David Tennant when it debuted last year in Stratford-Upon-Avon. Fortunately the RSC, realising the mass appeal of Tennant, have team-up with the BBC to adapt the play for television which is now released on DVD.
Director Gregory Doran, also responsible for the stage production, wisely avoids the same trap that befalls many by refusing to simply record the play on the stage as it is performed. This production instead uses a mixture of studio set mixed with some location work. Doran’s Elsinore is a dark, cold and claustrophobic setting, a palace of polished black floors, shattered mirrors and security cameras on every wall. Doran takes full advantage of the camera but doesn’t resort to being flashing by showing off with cheap camera tricks. Instead he uses the camera to tell the story and showcase the performances of his cast. Many of the major soliloquies are delivered directly to the camera and often shot in continuous takes. Doran also utilises basic special effects to make Hamlet’s encounter with his father’s ghost that little more spooky.
As the Dane David Tennant is simply mesmerizing, effortlessly capturing the character’s torment, wit and cunning. There are times when his performance is a little too David Tennant-ish but that’s a minor quibble of a truly phenomenal performance. He’s masterfully supported by Patrick Stewart as Claudius and Penny Downie as Gertrude. But it’s Oliver Ford Davis who steals the whole show as a wonderfully infuriating Polonius.
It’s not a completely flawless production. Despite the passion and conviction of the acting the whole never truly comes alive as it might do on the stage. Some scenes still feel too static and stagy for television. The subplot with Fortinbras is retained but goes nowhere and could’ve been easily excised. The final act feels rushed and unsatisfying (more Bill’s fault than Doran’s). And although many of the cast are flawless Mariah Gale is at times too theatrical as Ophelia especially in ‘get thee to a nunnery’ scene.
Hamlet remains the Bard’s most performed and adapted work. To date Kenneth Branagh’s lavish four-hour epic remains the definitive screen version. This production could’ve never have hoped to match that achievement but still produces an engrossing interpretation with a towering performance by it’s leading man.
Rating: * * * *
Justice League: The Complete Series DVD Review
In 1992 Bruce Timm set the standard for small screen animation when he helped create Batman: The Animated Series, perhaps the greatest animated series of all time. Timm followed that landmark series with a his own take on the last son of Krypton that sadly failed to make the same kind of impact as it’s predecessor despite being of the same high standard. Once both those shows wrapped up Timm and his team set their sight on expanding the DC Animated universe they had created beyond just the adventures of Batman and Superman. Justice League was the end result. And once again Timm struck gold and gave us another one of the finest animated series ever produced.Like the comic it was based on Justice League centred on a super-team that was comprised of some of DC Comic’s biggest icons; Superman, Batman, Wonder Woman, The Flash, Green Lantern (John Stewart not Hal Jordan), Martian Manhunter and…err, Hawkgirl (?). After two seasons the show was give a major shake up and morphed into Justice League Unlimited and against all odds actually got better instead of worse as is usually the case when executives mess with something that was already working. The scope of the show was expanded to include almost every single DC hero ever created. This was great because it meant less well known characters like Green Arrow, Booster Gold, Mr Miracle, Black Canary, Captain Marvel, Dr Fate, Huntress, Hawk and Dove, The Atom and the Question got to have their time in spotlight along with all the A-listers.
While Justice League was a great show on its own Unlimited is by far the superior series. It’s a more inventive and entertaining series with better story arcs and character development. Plus it’s obvious that the creators had a real love and passion for the entire DC Universe. It was also surprisingly mature for a kid’s series with the creators wisely deciding not to treat their audience like imbeciles. But when all is said and done this was still an action show. Being a kids series the violence is never overdone but still remains fast and exciting. Superman’s numerous smack downs with Darkseid are a personal highlight.
Another great feature of the series is the fantastic voice work done by the entire cast. In fact, the sheer number of celebrity vocals (many Joss Whedon alumni) that pop up throughout the series is staggering. Okay, deep breath, here goes; Nathan Fillion, Eric Roberts, Michael Ironside, CCH Pounder, Alexis Deninof, Adam Baldwin, Juliet Landau, Mark Hamil, Robert Picardo, John C. McGinly and Clancy Brown to name but a few I could remember without checking IMDB. Special mentions must go, though, to Amy Acker as Huntress and Jeffery Combs as the Question. In fact The Question is the breakout character of the series, a ridiculously paranoid conspiracy theorist who believes that the little plastic things at the end of shoe laces have a sinister purpose and is not above murder if it serves the greater good.
Like I said, this show was surprisingly mature.
Rating: * * * * *
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