“Well, we’re nowhere. It’s as simple as that”
When I first saw ‘The Mind Robber’ at the wee age of very small I thought it was absolutely brilliant. A fantastical and atmospheric tale filled with some unforgettable imagery. But I eventually grew up and with age comes cynicism. Now I can’t help seeing ‘The Mind Robber’ for what it really is; a load of surrealist nonsense that could’ve only been produced in the 1960s
That’s not to say ‘The Mind Robber’ is bad. The first episode is a triumph as the Doctor and his companions find themselves trapped in an empty void, haunted by strange visions and hounded by mysterious White Robots. It’s a brilliantly low key and unsettling episode culminating in one of the show’s greatest cliff-hangers; the breaking up of the TARDIS.
Visually the whole story is faultless with director David Maloney proving that just because you’ve got less than a child’s pocket money for a budget doesn’t mean things have to look shabby. There are some brilliant ideas and fantastic images on display here such as the giant toy soldiers, the forest of words and a castle that’s fairy tale on the outside but sci-fi on the inside. Special mention must go to the BBC sound department for creating some truly unsettling soundscapes.
With only a few token sci-fi elements this is probably the closest Doctor Who has ever come to being pure fantasy which is part of the problem. Since nothing is real there’s no threat, no tension. Anything that might harm our heroes, including a variety of mythical beasties, is easily vanquished by doing a unified Victor Meldrew impression (“We don’t believe it! We don’t believe it!”). The climactic battle of wits between the Doctor and the Master involving an ever changing roster of literary swashbucklers is terrific. Then things get muddle and confusing, stuff starts blowing up and before you’ve even got the foggiest idea what is going on the Doctor and co are saying ‘cheerio’ and are off to their next adventure as if nothing had ever happened.
Notes and Quotes
--In their battle The Doctor and the Master summon up Cyrano de Bergerac, D'Artagnan, Blackbeard and Sir Lancelot. With the exception of Lancelot all were based on real people.
--The forest of words looks more impressive when seen from ground level rather than from above.
--It’s adorable the way Jamie clutches onto the Doctor for safety after they’ve activate the emergency unit.
--The Episode 1 cliff-hanger is an exceptional sequence still best remembered for the cameraman taking a nice long leer at Zoe’s bum. Sadly for those with an appreciation for the male form there are no gratuitous shots up Jamie’s kilt.
--The Karkus has to be the naffest superhero I’ve ever seen. The name is bad enough (as is the wandering accent) but that costume is truly absurd. However, despite some rubbish fight choreography, I do love it when Zoe goes all Emma Peel on his ass.
--Jamie’s unexpected change of appearance (and regional accent) was a last minute addition after Frazer Hines contracted chicken pox.
The Doctor: Well, there is an emergency unit, but, oh no, I can’t possibly use that.
Zoe: But this IS an emergency.
The Doctor: It moves the TARDIS out of the time-space dimension, out of reality.
Jamie: Fine, reality’s getting too hot, anyway.
Zoe: We're lost, aren't we.